horror movie with black people on bet

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Horror movie with black people on bet 3 ball golf betting

Horror movie with black people on bet

Which got us thinking: what other classic Black horror films are deserving of a second look? Take a deep breath and read on! One of the earliest films in the horror genre, Son of Ingagi is pretty much a groundbreaking cinematic statement that has been criminally forgotten. The s monster flick, which was written by Black filmmaker Spencer Williams and boasts the first all-Black cast of the genre, follows Eleanor and Bob Lindsay, who inherit the house of doctor Helen Jackson.

The Lindsays soon discover that Dr. Jackson has returned from her trip to Africa with a mysterious creature that goes into a murderous rage after drinking a potion. Here the brazen racial stereotypes that were a mainstream movie staple of the day take a backseat to some striking, fully formed characters. Son of Ingagi deserves a second look. But underneath its cheesy theatrics is a sneaky good and landmark Black vampire film that ambitiously connects the slave trade of the s to s Los Angeles.

Veteran actor Charles McCauley seriously sinks his teeth sorry, not sorry into what could have easily dissolved into a cartoonish romp without a hint of irony. Glynn Turman plays a law student named Isaac, who becomes possessed by the spirit of s gangster J.

Walker, who is out for revenge against the folks who framed the unforgiving hood for the murder of his beloved sister. How about Denzel Washington as the obsessed, bloodthirsty O. Instead, what they find is a bandaged invalid and his perpetually upbeat caretaker whose murderous, violent streak seems to be controlled by the building. The gore meter here would be exceptional, and that's reason enough for a reboot.

From there, everything from the detrimental effects of drugs on the Black community to Black love and the power of Black humanity is dissected. George A. Romero — who made Night of the Living Dead on a microbudget in Pittsburgh, far outside of Hollywood — always used the horror genre to critique the societal ills of racism and consumerism. Night of the Living Dead is innovative in that a Black man, Duane Jones, who plays Ben, is the hero and the leader of the last remaining humans in town after a zombie apocalypse wipes out most of the population.

The true horror occurs at the end: Ben is killed by a white mob — after he spent the entire movie trying to save the town. Ganja and Hess is a surreal, sensual, and meditative film that explores addiction, sexuality, and black identity. After archaeologist Dr. Hess Green Duane Jones is stabbed by his unstable assistant Bill Gunn with an ancient knife, he survives and then develops an addiction to blood.

Director Bill Gunn was also a playwright and actor who worked far outside the Hollywood mainstream. Although U. He meets a beautiful woman Cynthia Bond at a bar who turns out to be a succubus, targeting Black men and luring them to their deaths. Tales from the Hood is an anthology film, similar to Tales from the Crypt.

Three drug dealers take refuge in a funeral home, where the director is played by none other than Clarence Williams III. He tells them four stories that confront the horrors of white supremacy, police brutality, domestic violence, and the psychological toll of gang violence. The best story of the movie is the second segment, in which comedian David Alan Grier plays an abusive man who terrorizes both a child Brandon Hammond and his mother Paula Jai Parker until the kid finds an unlikely way to defeat him.

A remake of the film is currently in the works to be produced by Jordan Peele and helmed by Nia DaCosta, the director of the excellent modern western Little Woods. Kasi Lemmons, an actress who starred in other classic horror movies like the aforementioned Candyman and Silence of the Lambs, made her directorial debut with this beautifully shot and poetic film. In The Craft, a group of outcasts practice magic and form a bond with each other as a way to protect themselves from a variety of problems: casual violence from men, slut-shaming, poverty shaming, and virulent racism.

As with most horror movies, the supernatural aspect of The Craft was really a way to talk about larger societal ills — in this case, the sexism, racism, and classism that young girls and women face, often without any kind of recourse. The movie received mixed reviews when it was first released but it has become a cult classic because of the feminist message at the center.

The drifter teams up with Frank Armitage played by Keith David to free the world from the grasp of this alien ruling class. He made his feature debut with the classic thriller Juice. His third feature film was the horror comedy Tales from the Crypt: Demon Knight which starred William Sadler, Billy Zane, and Jada Pinkett who battles an ancient demon and ends up saving the world. At the time it was an unusual but much welcome twist to have a Black woman as the Final Girl, a term coined by American professor Carol Clover in the book Men, Women, and Chainsaws: Gender in the Modern Horror Film that describes the last woman standing at the end of a horror film.

In this thriller, a man accepts an invitation to a dinner party hosted by his ex-wife and her new boyfriend.

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Some Black horror movies are pulpy; some are tongue-in-cheek comedies; some are meditations on societal ills,;some are overtly political; and others are about the horrors of the every day. Here, in no particular order, are some essential horror movies starring Black folks. George A. Romero — who made Night of the Living Dead on a microbudget in Pittsburgh, far outside of Hollywood — always used the horror genre to critique the societal ills of racism and consumerism.

Night of the Living Dead is innovative in that a Black man, Duane Jones, who plays Ben, is the hero and the leader of the last remaining humans in town after a zombie apocalypse wipes out most of the population. The true horror occurs at the end: Ben is killed by a white mob — after he spent the entire movie trying to save the town. Ganja and Hess is a surreal, sensual, and meditative film that explores addiction, sexuality, and black identity.

After archaeologist Dr. Hess Green Duane Jones is stabbed by his unstable assistant Bill Gunn with an ancient knife, he survives and then develops an addiction to blood. Director Bill Gunn was also a playwright and actor who worked far outside the Hollywood mainstream.

Although U. He meets a beautiful woman Cynthia Bond at a bar who turns out to be a succubus, targeting Black men and luring them to their deaths. Tales from the Hood is an anthology film, similar to Tales from the Crypt. Three drug dealers take refuge in a funeral home, where the director is played by none other than Clarence Williams III. He tells them four stories that confront the horrors of white supremacy, police brutality, domestic violence, and the psychological toll of gang violence.

The best story of the movie is the second segment, in which comedian David Alan Grier plays an abusive man who terrorizes both a child Brandon Hammond and his mother Paula Jai Parker until the kid finds an unlikely way to defeat him.

A remake of the film is currently in the works to be produced by Jordan Peele and helmed by Nia DaCosta, the director of the excellent modern western Little Woods. Kasi Lemmons, an actress who starred in other classic horror movies like the aforementioned Candyman and Silence of the Lambs, made her directorial debut with this beautifully shot and poetic film.

In The Craft, a group of outcasts practice magic and form a bond with each other as a way to protect themselves from a variety of problems: casual violence from men, slut-shaming, poverty shaming, and virulent racism. As with most horror movies, the supernatural aspect of The Craft was really a way to talk about larger societal ills — in this case, the sexism, racism, and classism that young girls and women face, often without any kind of recourse.

The movie received mixed reviews when it was first released but it has become a cult classic because of the feminist message at the center. The drifter teams up with Frank Armitage played by Keith David to free the world from the grasp of this alien ruling class. He made his feature debut with the classic thriller Juice. His third feature film was the horror comedy Tales from the Crypt: Demon Knight which starred William Sadler, Billy Zane, and Jada Pinkett who battles an ancient demon and ends up saving the world.

Jekyll and Mr. Hyde from Blacula director William Crain is a serious-minded, thought-provoking story reflective of its race-conscious era. Bernie Casey stars as a respected Black doctor whose experimental cell regeneration serum turns him into a maniacal White man. Enjoyably sleazy exploitation in the vein of and , Fight for Your Life follows three racist convicts as they escape prison and take a Black preacher's family hostage.

Mental and physical abuse follow, as the preacher eventually reaches the limit of what "turn the other cheek" can achieve. Unusually restrained for a Troma Studios production — largely because the company contributed mostly money and little creative input — Def by Temptation plays like Fright Night as directed by Spike Lee, as a mild-mannered minister is seduced by a succubus. Jackson has an early bit part. Ving Rhames discovers this the hard way. Tony Todd embodies the most iconic Black horror villain this side of Blacula in this terrifying modern classic that puts the "urban" in an urban legend about a 19th century Black man who was lynched for having sex with a White woman, only to become an undead " Bloody Mary "-type figure who appears if you say his name five times in front of a mirror.

This horror anthology , which takes a cue from Tales from the Crypt , is surprisingly straight-faced and socially relevant, touching upon issues affecting the African-American community, like gang violence, police brutality and racism.

The highlight, though, is the zany performance of Clarence Williams III Mod Squad 's Linc Hayes to you and me as the whacked-out mortician who serves as the anthology's storyteller. Sure, Snoop Dogg isn't a great actor — or even a good one — but luckily he doesn't have to carry this tale of an undead '70s gangster seeking revenge for his death. A strong supporting cast, including Pam Grier, stylish direction from Ernest Dickerson Demon Knight and solid production value make this worthwhile.

Directed by Eriq La Salle of ER fame, this thought-provoking cat-and-mouse game pits a cocky psychiatrist against a mysterious mental patient who claims to be Satan. The two spar back and forth until the doctor begins to believe that maybe, just maybe, the guy is who he claims to be.

Or not. While the title cleverly implies that this is an urban version of Scream , Holla isn't a rip-off. It's a standard slasher handled with surprising skill for a modern "urban" horror movie, combining scares, laughs and a sense of mystery. Silly, outrageous, potentially brain damaging and completely mesmerizing, this slice of campy shame combines women-in-prison films with zombie fare and yes, even kung fu.

Rappers E, Bone Crusher and Big Daddy Kane star in this engaging tale of criminals who decide to rob a bank just as a horde of vampire-like zombies or zombie-like vampires? They have to barricade themselves in the bank against not only the cops, but also the undead nasties. With solid production value, direction and acting, Dead Heist stands out from the rash of do-it-yourself zombie fare littering the horror genre.

In this subtle, Twilight Zone -ish haunted house tale, a pair of hoods running from the cops hide in a seemingly abandoned building that turns out to be occupied by an invalid wrapped from head to toe in bandages, cared for by an unnervingly cheery young man, who has to be hiding something

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